What to see (and hear) at Frieze & Frieze Masters

What to see (and hear) at Frieze & Frieze Masters

It is quite something to be able to celebrate five decades of work by a living artist, but that is exactly what the Lisson Gallery will be doing at Frieze Masters with a solo booth showcasing brightly colored, minimalist paintings of Carmen Herrera who is 100 years old this year.

World Record for a Piece of Ancient History from Babylon

World Record for a Piece of Ancient History from Babylon

Look at this rare piece of history that was auctioned off at Doyle New York on 9th of April and sold for a world record $605,000! The large Babylonian cylinder is not only an important example of cuneiform, but it is also from the reign Nebuchadnezzar II, King of Babylon from 604 – 562 BC, who was one of the most famous ancient rulers. It

Sculptures behind the Renaissance

When you think of the great Renaissance works, one tends to focus on oil paintings and the painters. But without the sculptors who paved the way, we would have no Botticelli, Leonardo or Raphael. Renaissance really began in a few decades at the beginning of the 15th century in Florence, and a superb exhibition "The Springtime of the Renaissance" at Palazzo Strozzi in Florence maps out this artistic revolution and brings together a treasure-studded retrospective of sculpture through Western art's most important era. Speaking of the exhibition, curator Beatrice Paolozzi Strozzi says "the exhibition aims to show that the origin of this revolution, which lasted two centuries, was sculpture."

Works by masters including Donatello and Masaccio, Brunelleschi and Paolo Uccello have been loaned for the unprecedented show, with works coming from collections including the Louvre in Paris, the Bargello Museum in Florence, the Victoria and Albert Museum in London, the Bode-Museum in Berlin, the Metropolitan in New York and the National Gallery in Washington.

Donatello, "Madonna Pazzi" circa 1420 marble, 74.5 x 73 x 6.5 cm Bode-Museum, Berlin

Amongst the loans is the Cortona sarcophagus, carved with Amazon warriors and plunging centaurs, that Brunelleschi is said to have walked all the way from Florence to see. The Bode-Museum lent a magnificent work by Donatello known as the "Madonna Pazzi" -- a marble statue used to create molds that were then used to cast copies in bronze. Speaking of this work, Beatrice Paolozzi Strozzi says:

"These moulds in terracotta or stucco were not that costly so that any store or convent could afford the statues in Florence and elsewhere. This allowed the aesthetic revolution to spread, including outside of Italy."

Copies of the molds were made especially for the exhibition and put on display where visitors are encouraged to touch them.

Congratulations are due to the three institutions behind this show: the Louvre and the Bargello Museum, both of which have amazing permanent holdings, and Palazzo Strozzi. The exhibition ends in Florence on 18th of August, and will travel to the Louvre in September, on view until 6th of January 2014. So plenty of chance to see it.